Jim Dickson
DOB Unknown – April 19, 2011
Jim Dickson was a recording engineer, producer, and eventual manager of the Byrds. He is often cited as one of the foundations of the ’60s folk-rock movement, particularly that which was coming out of Southern California. During his early years, Dickson produced records by the likes of Hamilton Camp, David Crosby, and the Dillards. He soon began managing a new band formed by Crosby and Chris Hillman who at first went by the Beefeaters and then the Jet Set. It was their desire to become Los Angeles’ answer to the Beatles. In 1964, Dickson was sent a demo of Bob Dylan’s then-unreleased “Mr. Tamborine Man,” which the band, now known as the Byrds, recorded and released. It would became one of the era’s definitive songs and helped launch a sound that inspired countless other musicians. To help the band build a following in those early days, Dickson enlisted the help of such famous friends as Jack Nicholson and Albert Grossman to champion them. After Dickson split with the group in 1967, he went on to manage and produce the Flying Burrito Brothers which included Hillman, Michael Clarke, and Gram Parsons. He later worked with Parsons on his solo albums as well as Gene Clark and eventually retired to Hawaii where he became a competitive sailor. Jim Dickson was 80 when he passed away on April 19, 2011.
Thanks to Scott Miller for the help
Bob Marcucci was a successful artist manager who is perhaps best remembered for discovering and guiding the early careers of Frankie Avalon and Fabian. Born in Philadelphia, PA, Marcucci was just 25 when he entered the music business as a song writer. A short time later, he launched his own Chancellor Records where he signed Avalon and Fabian. In later years, Marcucci managed popular gossip columnist Rona Barrett, and served as co-producer of the Bill Murray film, The Razor’s Edge. The 1980 film, The Idolmaker was loosely based on his life in the music business. Bob Marcucci died of respiratory failure on March 9, 2011. He was 81.
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Allen Klein was a record company executive and powerful artist manager during the 1960s. Known as a ruthless businessman, many artists benefited from his abilities to get them better record deals and higher royalties. His client list included 
The Music's Over 